Intro to Networked Collaboration

Critique: (Disparate Bodies, Modern Musical Networking)

This was a networked collaboration of musical proportion dealing with modern communication and it’s devices.  It included a pianist with false quintet originated online, a group of pianists producing independent improvisation work, and a similar group producing frequency with laptops, and the viewer.  It was meant as radical collaboration forcing random and creative junctions otherwise delinquent from traditional performances.  It enabled real time manipulation by viewers to musicians and vice versa manufacture cultured randomness.  I thought the programme went well and was interested in the manipulation of the whole process, it was unexpected and un-parallel.

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May 5, 2008 - Posted by | critique

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